Rapper Finesse 2Tymes has unleashed a furious, detailed public accusation against his manager, alleging a massive financial betrayal and a conspiracy that has derailed his career and personal life. In an explosive, nearly hour-long video interview with Trap Tube TV, the Memphis artist, born Ricky Hampton, claims his manager, Yo Gotti’s cousin Brandon “B Mims” Mims, stole over $300,000 from him and fabricated a story involving CMG’s Mob Ties to cover it up.
The rapper, visibly agitated and emotional, stated he has been operating for years under a false narrative fed to him by Mims. He alleges his manager told him that figures within Yo Gotti’s CMG empire, specifically artist “Gun” and executive Junior “J Prince Jr.,” conspired to swindle him out of a publishing advance worth nearly $300,000. This information, he says, fueled his public disputes with the label and its artists.
“My manager B Mims… brought me a move,” Finesse 2Tymes said in the video. “Turns out y’all Mob Ties ain’t got nothing to do with this… It’s between two. It’s the Mob Ties named Gun and my manager B Mims.” He claims he held this alleged betrayal inside for over two and a half years, which dictated his hostile stance toward his record label and business partners.
The situation reached a breaking point during a recent phone call with label executives. Finesse 2Tymes asserts that when he confronted the parties his manager had accused, they denied the story entirely. He says Mims then “nutted up” and recanted, leaving the rapper to apologize for his previous accusations based on what he now calls lies. “Now I’m on the phone looking like the fool,” he stated.
Central to the allegation is a publishing deal. Finesse 2Tymes claims he was due a significant six-figure sum, but was told by Mims that Junior J Prince Jr. attempted to pay a mere $5,000 to gain control of his publishing rights. This claim, which he now believes was fabricated, was the core of his grievance. “He lied to me, y’all,” the rapper repeated. “My manager lied to me.”
Finesse 2Tymes framed the alleged theft as a direct attack on his family, mentioning his children and his efforts to provide for them after his release from federal prison. He expressed feeling trapped in his recording contract with Atlantic Records and CMG due to the convoluted situation, suggesting the entities are intertwined. He admitted to feeling “boxed in” and set up for failure from the beginning of his release.
“I came home with a fresh start, bro. I thought I was coming home with a fresh start… I’ve been bamboozled,” he lamented. The artist also revisited his past feud with the late Young Dolph, clarifying that it was based on second-hand information from others and expressing regret, stating he never personally knew the fellow Memphis icon.
The interview host, Tony Three Times, provided context, noting Finesse 2Tymes’s recent targeting of CMG artists like Moneybagg Yo and Big Boogie. He speculated on the potential for a direct conflict with Yo Gotti himself, who is both the label head and Finesse’s stated favorite rapper. The host also suggested the rapper’s current turmoil could be “karma” for his admitted past criminal behavior.
Throughout his rant, Finesse 2Tymes issued a stark warning to his manager, declaring “2026 is on the floor,” a phrase implying severe consequences. He vowed to expose industry dealings, even at personal risk. “So if I die, y’all know they killed me for exposing the game, right?” he said. He directly addressed Mims: “You don’t deserve to get spared no more.”
The rapper’s claims paint a picture of profound isolation and betrayal within the high-stakes music industry. He described himself as a “dummy that went to jail that don’t know no builder, that don’t know no lawyer” who was systematically taken advantage of by those he trusted. His emotional delivery underscores the personal toll of the alleged financial sabotage.
As of now, neither Brandon “B Mims” Mims, Yo Gotti, CMG, nor Atlantic Records have issued public statements responding to these severe 𝒶𝓁𝓁𝑒𝑔𝒶𝓉𝒾𝓸𝓃𝓈. The video has rapidly circulated on social media, sending shockwaves through the hip-hop community and raising serious questions about the business practices and internal conflicts within one of the genre’s most prominent labels.
The situation leaves Finesse 2Tymes’s career at a critical juncture, publicly alienated from his management and seemingly at odds with his label. His threat that “2026 is on the floor” sets a tense timeline for potential retaliation or legal action, promising further escalation in a 𝒹𝓇𝒶𝓂𝒶 that has laid bare 𝒶𝓁𝓁𝑒𝑔𝒶𝓉𝒾𝓸𝓃𝓈 of six-figure theft and systemic deception at the heart of a major rap enterprise. The industry awaits the other side of the story, but the damage to these professional relationships appears, from this account, to be total and irreparable.